So Sony and director Paul Feig have found their new Ghostbusters: Melissa McCarthy, Kristen Wiig, Leslie Jones, and Kate McKinnon. This whole idea of an all-female ‘Ghostbusters’ reboot came together after the passing of original series star and co-writer Harold Ramis, when director Ivan Reitman relinquished the franchise’s director’s chair and everyone involved finally gave up on trying to convince stubborn (and probably very wise) Bill Murray to make a second sequel to the original film.
For a while, the party line on the possibility of an ‘Iron Man 4’ was that it was not going to happen. And, at least technically, that’s still true—because instead Robert Downey Jr. is co-starring ‘Captain America: Civil War,’ where his Tony Stark and Chris Evans’ Steve Rogers will get into an epic superhero tussle.
Disney has had a lot of success turning their animated classics into live-action updates in recent years. ‘Maleficent’ grossed more than $750 million worldwide after ‘Alice in the Wonderland’ made over $1 billion. Another, fleshier ‘Cinderella’ is on its way this spring, and after that you can also expect a human-y ‘Beauty and the Beast.’ That film is expected to go into production later this year, and will be directed by ‘Twilight’’s Bill Condon from a script by Stephen Chbosky.
It feels like several years have passed since Christopher Nolan released ‘Interstellar,’ but that’s just because I’m still stuck on that tidal-wave planet where time dilates and stuff. In reality, it’s only been a couple months since Nolan’s latest epic sci-fi film, which opened to positive reviews and, despite its heady subject matter, went on to earn more than $660 million worldwide. Love it or hate it, you have to at least respect the fact that Nolan’s still making huge blockbusters based on original ideas and deeply personal subject matter—as opposed to board games or toys or something.
When Disney bought George Lucas’ company, they got more than the buildings, computers, droids, and the ‘Star Wars’ intellectual property. They also got George Lucas’ unused ideas for future ‘Star Wars’ movies. Though Lucas had insisted for years that ‘Revenge of the Sith’ was his final ‘Star Wars’ film, that didn’t stop him from brainstorming a few other potential stories that could be set after the events of ‘Return of the Jedi’ (and, I assume, mostly involve Jar-Jar Binks wandering the universe and getting into “hilarious” misadventures).
‘American Sniper’ had a record-shattering weekend at the box office, grossing an astounding $105 million from Friday to Monday. It’s already the second biggest earner of Clint Eastwood’s entire career after ‘Gran Torino,’ and with six Academy Award nominations (and great word-of-mouth) behind it, it’s posed to become his biggest hit ever.
I wonder if Chris Kyle was a Clint Eastwood fan. ‘American Sniper’’s marketing materials describe Kyle as “the most lethal sniper in U.S. history,” but before his military career, Kyle was a cowboy. He wore a hat and boots, and even carried a six-shooter. Eventually, he gave up the cowboy life and decided to serve his country. He was a gifted marksman and trained to be a Navy SEAL. But even as a soldier, Kyle never lost that cowboy swagger—or that sense that someone has to venture out into the frontier and protect the American way of life. That’s what Kyle learned from his father—who raised him to be a “sheepdog,” a watchful protector in a world of sheep and wolves—and from watching violent Westerns like the ones that made Eastwood a major Hollywood star.
Jeremy Renner would not make a very good spy. The guy can’t keep his mouth shut! If you’re doing something secretive, you’re supposed to keep quiet about it. But earlier today Renner teased something he’s doing for Marvel as Hawkeye, the master archer of the Avenger. And, really, Renner should know better because he works for S.H.I.E.L.D. (and as Jason Bourne’s replacement in ‘The Bourne Legacy’!)
As ‘Batman’ goes, so goes comic-book movies. When Tim Burton turned the Dark Knight into a retro-gothic hero, Hollywood followed suit with a slew of heavily stylized pulp throwbacks. (See: ‘Dick Tracy,’ ‘The Phantom,’ ‘The Shadow,’ etc.) And when Christopher Nolan turned the Dark Knight into, well, ‘The Dark Knight,’ it sparked a wave of “grim and gritty” movies, with serious superheroes doing and saying serious things in outrageous spandex costumes that had been reimagined as biker gear or body armor. (See: ‘Man of Steel’ [Or maybe don’t.]) There’s been some pushback, but we’re really only now coming out of the trend toward ultra-serious, uber-dark comic-book movies.
Dig this, blockheads: The ‘Peanuts’ gang, originally created by cartoonist Charles Schulz, have appeared in so many incarnations in their 65-year history. They’ve been a comic strip, a series of much-beloved television specials, a Broadway musical, greeting card staples, and even the successful pitchmen for life insurance. Now, for the first time, they’re becoming a 3D feature film, with this year’s ‘The Peanuts Movie.’
In the fall of 2013, APCO Worldside surveyed 70,000 people about the world’s biggest brands. They measured their responses in eight different ways—“understanding, approachability, relevance, admiration, curiosity, identification, empowerment, and pride.” The number one most loved company out of 600 choices: Disney.
J.J. Abrams is famous for keeping secrets. His whole schtick as a director is the “mystery box”—finding pleasure in the unknown, and in the tease of that uncertainty. He didn’t show the monster in the trailer for ‘Cloverfield’; hell he didn’t even show the title of the movie in the trailer for ‘Cloverfield.’ If J.J. Abrams could release a movie without telling you anything about it, he probably would.
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