christopher nolan

If you were interested in movies back in the year 2000 and you didn’t have some kind of brain-destroying amnesiac condition, you remember Memento. The second feature by a British filmmaker named Christopher Nolan, Memento became a breakthrough in American cinemas (the indie made an impressive $25 million in U.S. theaters) and Nolan’s calling card in Hollywood, where he went on to become one of the most important and interesting filmmakers of his generation.

It feels like several years have passed since Christopher Nolan released ‘Interstellar,’ but that’s just because I’m still stuck on that tidal-wave planet where time dilates and stuff. In reality, it’s only been a couple months since Nolan’s latest epic sci-fi film, which opened to positive reviews and, despite its heady subject matter, went on to earn more than $660 million worldwide. Love it or hate it, you have to at least respect the fact that Nolan’s still making huge blockbusters based on original ideas and deeply personal subject matter—as opposed to board games or toys or something.

As ‘Batman’ goes, so goes comic-book movies. When Tim Burton turned the Dark Knight into a retro-gothic hero, Hollywood followed suit with a slew of heavily stylized pulp throwbacks. (See: ‘Dick Tracy,’ ‘The Phantom,’ ‘The Shadow,’ etc.) And when Christopher Nolan turned the Dark Knight into, well, ‘The Dark Knight,’ it sparked a wave of “grim and gritty” movies, with serious superheroes doing and saying serious things in outrageous spandex costumes that had been reimagined as biker gear or body armor. (See: ‘Man of Steel’ [Or maybe don’t.]) There’s been some pushback, but we’re really only now coming out of the trend toward ultra-serious, uber-dark comic-book movies.

Ever since the earliest screenings of Christopher Nolan's ‘Interstellar,’ there have been criticisms about the film's sound mix—that the dialogue is difficult to understand at times, often overtaken by the sound effects and score. Audiences and critics alike have pondered whether this was a filmmaking error, or a matter of movie theaters not playing the sound correctly, but now Nolan himself has finally spoken up to clarify that the sound is playing as intended, calling the final product “adventurous and creative.”

Marvel has built their movie empire partially on anticipation and excitement among the core fanbase. Marvel has a tradition of post-credits scenes after their movies, ever since the first 'Iron Man' movie introduced Samuel L. Jackson as Nick Fury and name-dropped the "Avengers Initiative." It's worked out quite well for Marvel. And, while DC and Warner Bros. are very eager to catch their competitors, don't expect them to follow suit. When Warner Bros. asked Zack Snyder and Christopher Nolan to add a post-credits scene to the end of 'Man of Steel,' Nolan told them, "a real movie wouldn't do that."

This new 'Interstellar' trailer gives us our best and most clear look at the plot of Christopher Nolan's upcoming sci-fi epic, and even then, we still don't know that much about the movie. But, after watching this trailer, we wouldn't have it any other way.

'Transcendence,' the directorial debut of Wally Pfister, has been shrouded in mystery since production began with stars Johnny Depp, Rebecca Hall and Morgan Freeman. But as we enter the new year, Warner Bros. has come to release a detailed story synopsis for this latest sci-fi film, accompanied by the first-look photos of Depp and his co-stars.

Christopher Nolan, director of "The Dark Knight Rises", issued a statement regarding the shooting that occured at an theater in Aurora, Co which was showing the film.

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