There are a lot of things that come into play when you put together a film. You have to have a script, a director, actors, and then you have to find locations and build sets and get costumes and essentially build an entire world within which the actors operate. Production design and costume design go hand-in-hand: you don’t want actors in a film set in the 1800s to be wearing clothes from the 1600s, and you want your costumes to be in constant dialogue with your sets. If an environment is wet, or dry, or cold, or inside, or outside, the clothes reflect that. Because of this, the Oscar-winning production designer for Martin Scorsese’s epic Silence, Dante Ferretti, also acted as its costume designer.