steven spielberg

Steven Spielberg Reveals Which ‘Indiana Jones’ Is His Least Favorite (No, Not That One)
Steven Spielberg Reveals Which ‘Indiana Jones’ Is His Least Favorite (No, Not That One)
Steven Spielberg Reveals Which ‘Indiana Jones’ Is His Least Favorite (No, Not That One)
Steven Spielberg, prolific and legendary as he is, has had plenty of flops in his time, and he’s not afraid to let everyone know which of his many film children he likes the least. While making the new documentary Spielberg, documentarian Susan Lacy spent more than 30 hours interviewing her subject, and during some of those sessions he told her which of his Indiana Jones films he likes the least. No, it’s not that one.
Warner Bros. Brings ‘Blade Runner 2049,’ ‘It,’ ‘Ready Player One,’ ‘Justice League,’ and More to Comic Con
Warner Bros. Brings ‘Blade Runner 2049,’ ‘It,’ ‘Ready Player One,’ ‘Justice League,’ and More to Comic Con
Warner Bros. Brings ‘Blade Runner 2049,’ ‘It,’ ‘Ready Player One,’ ‘Justice League,’ and More to Comic Con
The San Diego Comic Con schedules have been rolling out all week, and Warner Bros. has a bunch of heavy hitters this year to possibly keep Marvel and Disney from stealing too much of the spotlight. Warners takes over Hall H on Saturday, July 22 at 11:30 AM, starting with a showcase of all their exciting upcoming releases, hosted by master of ceremonies Chris Hardwick.
Oscar Isaac Joins Steven Spielberg’s ‘The Kidnapping of Edgardo Mortara’
Oscar Isaac Joins Steven Spielberg’s ‘The Kidnapping of Edgardo Mortara’
Oscar Isaac Joins Steven Spielberg’s ‘The Kidnapping of Edgardo Mortara’
With few exceptions, Oscar Isaac has been enjoying a steady run of great roles over the last few years, working with directors like the Coen Brothers, J.J. Abrams and Alex Garland — all of whom quickly helped to transform the actor into one of our most beloved stars. Things are only getting better from here, as Isaac’s next project could see him teaming up with anther great director.
Steven Spielberg Reunites With ‘Bridge of Spies’ Star Mark Rylance for ‘The Kidnapping of Edgardo Mortara’
Steven Spielberg Reunites With ‘Bridge of Spies’ Star Mark Rylance for ‘The Kidnapping of Edgardo Mortara’
Steven Spielberg Reunites With ‘Bridge of Spies’ Star Mark Rylance for ‘The Kidnapping of Edgardo Mortara’
The BFG marks Steven Spielberg’s second project with Bridge of Spies star (and Oscar-winner) Mark Rylance, and though that film doesn’t arrive until this summer, the duo have already set their next collaboration. Spielberg has officially boarded The Kidnapping of Edgardo Mortara, a period piece set in late 19th century Italy, with Rylance playing the role of Pope Pius IX.
A ‘Back to the Future’ Producer Wanted to Retitle the Film ’Space Man From Pluto’
A ‘Back to the Future’ Producer Wanted to Retitle the Film ’Space Man From Pluto’
A ‘Back to the Future’ Producer Wanted to Retitle the Film ’Space Man From Pluto’
In October 1984, when Back to the Future would’ve been in early-development stages, a producer gave a friendly suggestion to remedy one of the biggest flaws in the project. The script was “terrific”, everything was fine, but that title. Wouldn’t something along the lines of Space Man from Pluto have a smoother flow, make more sense to audiences, and convey what the movie’s actually about much more succinctly?
‘Jurassic World’ Review: The Park Is Open and Full of Dumb People
‘Jurassic World’ Review: The Park Is Open and Full of Dumb People
‘Jurassic World’ Review: The Park Is Open and Full of Dumb People
When all you care about is money, bad things happen. That’s the message of Jurassic World, where greedy theme-park executives hoping to spike attendance engineer the “Indominus Rex,” a genetically-modified dinosaur that immediately turns on its creators and runs amok. Designed as a cautionary tale about the dangers of building a meaner, badder monster purely for the sake of profits, Jurassic World works equally well as a cautionary tale about doing the same thing in movies. All of the rationalizations provided by Jurassic World’s employees — “Consumers want them bigger, louder, more teeth.” “Somebody’s gotta make sure this company has a future!” — could have been taken directly out of the mouths of the studio executives who approved this gene splice of a reboot and a sequel. Their creation — the Indominus or the movie, there’s basically no difference — is as advertised; huge, mean, and visually striking. But this experiment is not without consequences.

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